A Story of Tejanos and Their Music

A Story of Tejanos and Their medicinal drug\nImagine driving with S out(a)h Texas. As you way through the small towns, countryside, the cities of capital of Texas and San Antonio and head towards the border, you are swallowed by a culture so colorful and proud. Tejano is non moreover by definition Mexican American music, it is a line drug abused to describe the people, the intellectual nourishment and the traditions. Mexicans migrated to Texas and worked hard. They struggled with discrimination, starting a in the raw, and world away from their homeland. As Tejanos function further north they not only brought their families, they brought their culture. A liveness style that consisted of Mexican traditions that aft(prenominal) clip, began to blend with American and European customs. As these traditions began to fuse together we gain an interesting outcome, Tejano music. The traditional music of Mexico is Rancheras. This genre of music consists of lyrics that include lov e, patriotism and nature. The password Ranchera is derived from Rancho because it came from the rural countryside of Mexico. In the photographic film Songs of a homeland they use Lydia Mendoza as an example of a common Ranchera musician. Lydia Mendoza was popular during the 1930s and was one of the first women to be recorded. She was known as the vocaliser of the poor. This traditional music was a big influence on the Mexicans that migrated to Texas. Through Rancheras, Conjunto music was born. Rancheras were passed from times to generation. As New Tejanos became desirous it was only expected for the songs that reminded them of their grow to follow them. As time passed and the population in Texas grew, new influences began to fill the land and concussion the existing cultures. Conjunto music was created from the European soft styles and the music from Yankee Mexico. The influence of instruments like the freeing piano accordion from German settlers make quite an impression on Tejano music. Accordion music is residential area found, which was perfect because Tejano was buffer based in a fan driven market. Two popular musicians were the Father of Conjunto, Narciso Martinez and master accordion player, Valerio Longoria. Promoters would take the groups to where the people were. The field were the stage and the migrant workers the audience. medicinal drug was not recorded very much in the 40s so it worked out well. It was very common for Tejano bands to travel throughout south Texas playacting for...If you want to get a full essay, order it on our website:

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