Hidden City Life in Two Works of Literature

Assignment\n equal the depiction of the hidden feel of the city in hellion, iniquity Walks, and the section cal conduct The Bridge from Michael Ondaatjes novel, In the trim of a Lion.\n\n reception\nBuildings and organises atomic number 18 seen, experienced, interacted with and remembered every bingle day by thousands of antithetic people from all walks of life. whatever buildings are historically fundamental and others seemingly hold no history at all. notwithstanding the history of the buildings, structures etcetera, what they all nurse in common is the lives that have inhabited and influenced them. Each structure has a story of its own, wellhead known or not, which is significantly important. The writings of Charles Dickens in his piece Night Walks , and Michael Ondaatjes section from In the Skin of a Lion, The Bridge, both accurately reveal the hidden stories and lives of these structures by their use of imagery, personification and in depth exploration of what lies scum bag the presumed. In doing so, both authors are able to successfully retch a more in depth experience of either walking through the streets of capital of the United Kingdom alongside Dickens, or experiencing the braid of the Bloor Street viaduct (the bridge) depicted in Ondaatjes writing.\nIn Charles Dickens Night Walks the reader is led alongside Dickens himself throughout his walks in London after(prenominal) dark in an stress to help cure his insomnia. What Dickens discovers is a brand pertly side of London, a quad that before his walks he was certain(a) that he knew quite well. by dint of the use of imagery, Dickens brings his readers appressed to the sensory experience of rattling walking the streets of London themselves; go the streets in the pattering rain ; Drip, drip, drip, from shelf and coping, splash from pipes and water-spouts, and by-and-by the houseless phantom would fall upon the stones... ; The wild moonlight and clouds were as restless as an evil conscience in a tumbled bed, and the very quarter of th...